Unplugged | No |
Cover band | No |
Members | 5 |
Sep / 2017 | • | Euroblast | Cologne | |||
Jul / 2017 | • | Copenhell | Copenhagen | |||
Nov / 2016 | • | Hokuo Music Fest | Tokyo | |||
Oct / 2019 | • | DYKNOW Tour | Nürnberg, DE | |||
Oct / 2019 | • | DYKNOW Tour | Hamm, DE | |||
Oct / 2019 | • | DYKNOW Tour | Weißwasser, DE | |||
Oct / 2019 | • | DYKNOW Metal Tour | Berlion, DE | |||
Oct / 2019 | • | DYKNOW Tour | Hannover, DE | |||
Nov / 2018 | • | Templet | Lyngby | |||
Sep / 2018 | • | Hotel Cecil | Hotel Cecil, Copenhagen, DK | |||
May / 2018 | • | Vershuset | Vershuset Næstved, Næstved, DK | |||
May / 2018 | • | Culthus | Nykøbing Falster | |||
May / 2018 | • | Walthers Musikcafé | Skanderborg | |||
Apr / 2018 | • | Posten | Odense | |||
Mar / 2018 | • | Sønderborghus | DK/Sønderborg | |||
Mar / 2018 | • | Forbrændingen | Forbrændingen, Albertslund, DK | |||
Mar / 2018 | • | Fermaten | DK/Herning | |||
Nov / 2017 | • | HeadQuarters | DK/Aarhus | |||
Nov / 2017 | • | Beta | DK/Copenhagen | |||
Oct / 2017 | • | Melkweeg | Amsterdam | |||
Oct / 2017 | • | Musik & Frieden | Musik & Frieden, Berlin, DE | |||
Oct / 2017 | • | Logo | Hamburg | |||
Oct / 2017 | • | Nachtleben | Frankfurt am Main | |||
Oct / 2017 | • | Crash | Freiburg | |||
Oct / 2017 | • | F-Haus | Jena | |||
Oct / 2017 | • | Sputnikhalle | Münster | |||
Oct / 2017 | • | Tavastia | FI/Helsinki | |||
Oct / 2017 | • | Rock River Club | LT/Vilnius | |||
Oct / 2017 | • | Dynamo Werk 21 | CH/Zurich | |||
Oct / 2017 | • | Doornroosje | NL/Nijmegen | |||
Oct / 2017 | • | Fontaine Palace | LV/Leipaja | |||
Jun / 2017 | • | Bremen Theater | Copenhagen | |||
Apr / 2017 | • | Logo | Hamburg |
Label / Release | Type | Year | |
---|---|---|---|
Long Branch Records | |||
Sins of the Mechanical | Single | 2017 | |
Deceptive Signal | Single | 2017 | |
Pinnacle of the Strain | Single | 2017 | |
Enigmatic Circuits | Single | 2017 | |
Among the Amorphous | Album | 2017 | |
Edge of the Obscure | Album | 2011 |
Prime Collective | |||
Black Halo | Single | 2022 | |
Eternal Eclipse | Single | 2022 | |
Lies of Descent | Single | 2022 | |
Synthetic Bloodline | Single | 2022 | |
Icon of the Hopeless | Album | 2022 | |
Depressor | Single | 2019 |
Self-released | |||
Perceptual Confusion | EP | 2009 |
Their third full-length album ‘Icon of the Hopeless’ is a display of technical superiority with sinister breakdowns and pulsating industrial elements.
The press has said about “Icon of the Hopeless”:
Metal Hammer: “...it's a cohesive and accomplished album with great moments”
Blabbermouth.net: “...making the future sound dark, dynamic and pretty fucking cool.”
Distorted Sound Magazine: "It’s a fantastic record that we could not recommend more; listen to it – now!"
THE INTERBEING established a name for themselves on the industrial metal scene back in 2011, with the award-winning and highly acclaimed debut album ‘Edge of the Obscure’, followed by their sophomore album ‘Among the Amorphous’ in 2017. After touring Europe and Japan with acts such as Twelve Foot Ninja, Parkway Drive, Meshuggah, and playing shows at festivals such as Copenhell, Hokuo Music Week, SXSW and Euroblast, the band began to focus on finishing their upcoming album. ‘Icon of the Hopeless’ unveils the great conclusion to the conceptual story of a ‘being’ that struggles with its creators in a dystopian parallel world, a story which listeners have followed since the debut album in 2011.
‘Icon of the Hopeless’ has been mixed and mastered by star producer Jacob Hansen (Amaranthe, Dizzy Mizz Lizzy, Volbeat) and is set to be released on November 18 through Prime Collective. Cover artwork is made by the acclaimed NFT artist Stuz0r.