Synje Norland
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DE Hamburg – Adult Contemporary / Avantgarde Pop / Ambient / Singer/Songwriter / Classical Crossover
Synje Norland

Media

01
Who Says I Can't
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02
Riverside
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03
Bigger and Better
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04
The Ruler of the Golden Age
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Synje Norland - From Fear To Hope (Live with Julie Weißbach)
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Live Setup

Unplugged Yes
Cover band No
Members 1
Fan Base
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Fan Locations
Gig History
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Videos
Releases
Label / Release Type Year
Norland Music
Edit-artist-releases-release-placeholder Who Says I Can't? Album 2016
Edit-artist-releases-release-placeholder To The Other Side Album 2011
Edit-artist-releases-release-placeholder Skipping Stones Album 2007
Contact
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Publishing
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Press Text
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Singer-Songwriter Synje Norland has already enthused millions: In Germany, her songs were picked for movies and television, and Raffaello chocolate pleased viewers with both tempting layers of wafer and sweet music in their recent advertising campaign.

In 2007 Synje Norland released her debut album "Skipping Stones“ on Norland Music, a label she set up with her father. It was a truly collaborative effort that united the talent and passion of the family and many talented friends.

The commitment paid off: In 2011 Synje Norland was nominated for the official "German Songwriter Award".

Soon after she released her second album "To the other side" and is currently working on her third, which is going to be a collaboration with the Cellist Michael Becker, who is also accompanying her at her live shows.

"As she stood there on the stage of Nikolaisaal foyers with closed eyes, denouncing the injustice, she reminded us of the lead singer of the Cranberries, Dolores O'Riordan, who, with her song 'Zombie' had achieved similar effects. Also a comparison with Alanis Morisette Synje Norland would withstand safely. Sounds like velvet, smoky and dark, sometimes fading away, almost spoken, only to be re-pointed as pinpricks."
Translated from German - 17.9.2012, Potsdamer Neueste Nachrichten.

"The complex compositions of the singer and guitarist didn't keep the emotions of the audience in a calm state for too long. Again and again she changed her ton. Her cellist, switching from angry to vulnerable, from folk to chamber music accents. Her voice like a tree: first one looked fascinated at the heights. But her voice also reached deep into the depths of the earth."
31. December, 2012, Hamburger Abendblatt