Unplugged | No |
Cover band | No |
Members | 1 |
Downloads |
Jan / 2014 | • | Tante Paul / Komet | Hamburg | |||
Nov / 2013 | • | Madame Claude | Madame Claude, Berlin, DE | |||
Oct / 2013 | • | Bücherfest / Hafen 2 | Offenbach | |||
Aug / 2013 | • | Halle 15 / Güterbahnhof | Bremen | |||
Aug / 2013 | • | Oslo Queer Festival / Blitz | Oslo | |||
Jul / 2013 | • | Silverfuture | Silver Future, Berlin, DE | |||
Jun / 2013 | • | WTF Wednesday / Vrankrijk | Amsterdam | |||
Apr / 2013 | • | Latenz Labelnacht / Spedition | Bremen | |||
Feb / 2013 | • | These Brutal Queens / Vogue Fabrics | London | |||
Dec / 2012 | • | Bar Wotever / Royal Vauxhall Tavern | Royal Vauxhall Tavern, London, GB | |||
Oct / 2012 | • | Skala No Mercy / Spedition | Bremen | |||
Jul / 2012 | • | Sedanstraßenfest | Bremen | |||
Jun / 2012 | • | Nachtbar / Spedition | Spedition, Bremen, DE | |||
Jun / 2012 | • | kraß / Zakk | Bremen | |||
May / 2012 | • | Betty Beatz / Zucker Club | Bremen | |||
Oct / 2011 | • | Quite Queer Night / Belle Etage | Bremen | |||
Sep / 2011 | • | Tante Paul / Komet | Hamburg | |||
Sep / 2011 | • | Queer Noises Festival / SchwuZ | Berlin | |||
Jun / 2011 | • | End of Plastic Days Festival / Plastic Club | Bremen | |||
Oct / 2010 | • | Wallywoods | Berlin | |||
May / 2010 | • | Before Encore / 10 Gales | London | |||
Mar / 2010 | • | Ich bin ein Berliner / SO 36 | Berlin |
Label / Release | Type | Year | |
---|---|---|---|
Latenz | |||
|
Initiation | Album | 2013 |
KKr | |||
|
Phantom Load | Album | 2011 |
What others say:
- "Kimono Kops presents a visual and musically inspired New Wave image tweaked for the 21st century." / Sine Wave Beach
- "German producer Kimono Kops makes music that’s sparkly, synthy, gauzy, and altogether some sort of glossy dance floor love child of vaporwave and disco." / Portalsmusic
- “It’s sweet, catchy, coolly detached, and yet warmly passionate” / Imageyenation
- “His music always crafts a bouncy, fun, dancey universe where synth lines are the main focus of life and everything is totally delectable and three minutes long” / rcrdlbl.com
- “The juxtaposition of the catchy and inoffensive backing tracks with the lyrics and their delivery (that could have come across on a cheap plane ticket from the Factory days of Manchester in the UK) could kick your arse, without you really knowing it kicked your arse.” / From a live review by Danny Amos Flynn