Jánnos Eolou
GR
Θεσσαλονίκη
–
Classical Crossover / Soundtrack - Film / Tango / Symphonic-Electronic
Jánnos Eolou
Media
PANTHER
Live Setup
| Unplugged | No |
| Cover band | No |
| Members | 1 |
| Downloads | – |
Trends are built for last 28 days
Gig History
No gigs added
No past gigs added
Videos
Releases
| Label / Release | Type | Year | |
|---|---|---|---|
| Jannos Eolou | |||
|
La Forêt Des Vœux | Album | 2019 |
|
Time Squatters | Album | 2015 |
|
Solino (Original Motion Picture Soundtrack) | Album | 2014 |
|
One Fine Day | Album | 2011 |
|
Diary of a Times Square Thief | Album | 2008 |
|
Bells, Threads & Miracles | Album | 2008 |
|
A Hero In Rome | Album | 2006 |
|
A Hero in Rome (Original Motion Picture Soundtrack) | Album | 2006 |
|
Wintry Nostalgia | Album | 2004 |
|
Dance of the Dead Roses | Album | 1999 |
| Jánnos Eolou | |||
|
Tangos of the Magic Reality | Album | 2023 |
|
Kaleidoscope | Single | 2022 |
|
Requiem for a Smile | Single | 2022 |
|
Unwritten Letter | Single | 2022 |
|
Breakwater | Single | 2022 |
|
Smyrna 1922 | Single | 2022 |
|
Hara Theou (Original Soundtrack) | Album | 2019 |
| JANNOS EOLOU | |||
|
Skies to Eternity | Album | 2011 |
| N-CODE | |||
|
Tango Ton Hristougennon (Christmas Tango) [Original Soundtrack] | Album | 2011 |
| JÁNNOS EOLOU | |||
|
NARCISSUS | Album | 2021 |
Contact
Booking
No Agency
Management
No Management
Publishing
Unsigned
Press Text
Jánnos Eolou is a prolific film and TV composer with many awards and projects in his career already.
He could tour with his chamber orchestra (sextet - up to 15 musicians) or could collaborate with small or big chamber or symphonic orchestras around the globe. He is usually conducting his concerts but he also could collaborate with an attached conductor if need be.
His latest work 'Tangos of the Magic Reality' https://eolou.com/tangos-of-the-magic-reality/ could be performed with local orchestras and a minimum of soloists that we travel with, as well as a couple of Tango dancers.
It is an original orchestral work that has been praised by audiences and music critics.