Unplugged | No |
Cover band | No |
Members | 4 |
Sep / 2013 | • | Lakei/NL-Helmond | ||||
Sep / 2013 | • | ACU/NL-Utrecht | ||||
Aug / 2013 | • | Café Taktlos/Glauchau | ||||
Aug / 2013 | • | Schokoladen/Berlin | ||||
Aug / 2013 | • | Fährmannsfest/Hannover | ||||
May / 2013 | • | Logo/Hamburg | ||||
May / 2013 | • | Alte Meierei/Kiel | ||||
Apr / 2013 | • | Bei Chéz Heinz/Hannover | ||||
Apr / 2013 | • | Klanggerüst/Erfurt | ||||
Dec / 2012 | • | Underground/Köln | ||||
Dec / 2012 | • | Nachtleben/Frankfurt | ||||
Nov / 2012 | • | Kleine Freiheit/Osnabrück | ||||
Nov / 2012 | • | Logo/Hamburg | ||||
Nov / 2012 | • | Comet/Berlin | ||||
Nov / 2012 | • | Cafe Central/Weinheim | ||||
Oct / 2012 | • | Lila Eule/Bremen | ||||
Oct / 2012 | • | ACU/NL-Utrecht | ||||
Aug / 2012 | • | Boot Boo Hook Festival/Hannover | ||||
Jun / 2012 | • | Opernplatz/Hannover | ||||
Jun / 2012 | • | Pod Minoga/PL-Poznan | ||||
May / 2012 | • | Alibi Klub/PL-Wroclaw | ||||
May / 2012 | • | Club 202/HUN-Budapest | ||||
May / 2012 | • | Randal Club/SVK-Bratislava | ||||
May / 2012 | • | Szene/AT-Wien | ||||
May / 2012 | • | Bloom/I-Mailand | ||||
May / 2012 | • | Secret Place/F-Montpellier | ||||
May / 2012 | • | Razz2/ES-Barcelona | ||||
May / 2012 | • | Caracol/ES-Madrid | ||||
May / 2012 | • | Le Bikini/F-Toulouse | ||||
May / 2012 | • | L'Ubu/F-Rennes | ||||
May / 2012 | • | La Machine Du Moulin Rouge/F-Paris | ||||
May / 2012 | • | Galery/CH-Pratteln | ||||
May / 2012 | • | La Laiterie/F-Strasbourg | ||||
May / 2012 | • | Zentrum Altenberg/Oberhausen | ||||
May / 2012 | • | Colos-Saal/Aschaffenburg | ||||
May / 2012 | • | Spectrum/Augsburg | ||||
May / 2012 | • | Hirsch/Nürnberg | ||||
May / 2012 | • | Bergkeller/Reichenbach | ||||
May / 2012 | • | Knust/Hamburg | ||||
May / 2012 | • | Music Hall/Worpswede | ||||
May / 2012 | • | Societätstheater/Dresden | ||||
Apr / 2012 | • | Indiego Glocksee/Hannover | ||||
Jul / 2011 | • | Heimatzoo Festival/Grindau | ||||
Apr / 2011 | • | MTC/Köln | ||||
Apr / 2011 | • | Goldene Krone/Darmstadt | ||||
Apr / 2011 | • | Bei Chéz Heinz/Hannover | ||||
Dec / 2010 | • | W1/Regensburg | ||||
Dec / 2010 | • | Glockenbachwerkstatt/München | ||||
Nov / 2010 | • | Musikzentrum/Hannover | ||||
Oct / 2010 | • | Die Motte/Hamburg | ||||
Oct / 2010 | • | MS Treue/Bremen | ||||
Oct / 2010 | • | Klanggerüst/Erfurt | ||||
Oct / 2010 | • | PopMeeting/Wolfsburg | ||||
Oct / 2010 | • | Alte Brauerei/Northeim | ||||
Oct / 2010 | • | Tonart/Alfeld | ||||
Sep / 2010 | • | Druckluft/Oberhausen | ||||
Sep / 2010 | • | Musa/Göttingen | ||||
Sep / 2010 | • | Blue Shell/Köln | ||||
Aug / 2010 | • | Lusanfest/Gera | ||||
Aug / 2010 | • | Maschseefest/Hannover | ||||
Jul / 2010 | • | Welten Daneben Festival/Köln | ||||
Jun / 2010 | • | Projekt7/Magdeburg | ||||
Jun / 2010 | • | Bastard Club/Osnabrück | ||||
May / 2010 | • | Knaack Club/Berlin | ||||
Apr / 2010 | • | Musikzentrum/Hannover | ||||
Apr / 2010 | • | Salon Jürgenz/Oldenburg | ||||
Mar / 2010 | • | Meisenfrei/Bremen | ||||
Mar / 2010 | • | Bei Chéz Heinz/Hannover | ||||
Mar / 2010 | • | Logo/Hamburg |
Label / Release | Type | Year | |
---|---|---|---|
SPV/Steamhammer | |||
|
IN VIA | Album | 2012 |
|
mosaik | Album | 2010 |
Eigenvertrieb | |||
|
CXXIV | EP | 2009 |
Packed full of detail and perfected with their own unique sound. Chapter for chapter, song for song, strings of emotion form a network to become personal stories - either real of fictional - where listeners can form an individual soundtrack for their own mental picture. A concert experience with movie character.
"Bereits mit Ihrem Debüt Mosaik sorgten die Niedersachsen FRAMES für Aufsehen sowohl in der Post-Rock als auch der alternativen Szene. Mit [...] IN VIA kann das Quartett nun beeindruckend nachlegen." PIRANHA (D)
"Aufbruchsstimmung oder retrospektive Zukunftsangst? Frames oszillieren gekonnt zwischen den Stimmungen und überzeugen auf "IN VIA" mit Post-Rock von internationalem Format."
MOTOR.de (D)
"Kopfkino vom Feinsten" ECLIPSED (D)
"...die nach Long Distance Calling vielleicht beste deutsche Postrock-Band außerhalb des Undergrounds setzt die Akzente genau richtig." (8/10) ROCK HARD (D)
„…was Bands wie Jeniferever, And So I Watch You From Afar oder Imannu El können, können Frames nämlich schon lange – und mitunter sogar besser.“ SONIC SEDUCER (D)
„IN VIA ist toll gemacht und beweist, das Post-Rock hierzulande weiter an Bedeutung zunehmen wird, denn auch FRAMES stehen für Qualität made in Germany!“ ZILLO (D)
„Mit FRAMES muss man in dieser Form rechnen, wenn es um die wichtigsten – und vor allem qualitativ besten – Postrock-Releases des aktuellen Jahres geht.“ (9/10) METAL.de (D)
„Wer nicht glaubt, dass Post Rock äußerst vielseitig und kontrastreich sein kann, sollte sich mit dieser Band vom Gegenteil überzeugen lassen.“ (8,5/10) POWERMETAL.de (D)
"...exzellentes Nachfolge-Werk für das umjubelte Mosaik." PLANET MUSIC (A)
„Meyer is talented and the band is great” CLASSIC ROCK presents PROG (UK)
„For the times of reflection between the riffs and the roars “mosaik” is haunting perfection. Frames can take you to musical places that you’ll never want to leave and show you sights that become more captivating every time you visit their world. ” POWERPLAY (UK)
„A smidgen of Oceansize, a tadge of Steven Wilson and a healthy smattering of Pure Reason Revolution (The Dark Third). This certainly is to be recommended as a sterling debut from an exceptionally talented young band.” CLASSIC ROCK SOCIETY (UK)
Featured in "ON THE VERGE - Artists you should know about!" RELIX (USA)
“In a time when we are constantly being told that albums are an endangered species and that all we need is a digital player that houses “songs”, it is a wonderful thing to stumble across an album that is exactly that. An Album – with a capital A.” SEA OF TRANQUILITY (USA)
“So many bands try hard to do what Frames do so wonderfully in their music. They truly speak with their music even though it’s in an instrumental format. If you’re a fan of music that strays off of the beaten, conventional path then Frames’ Mosaik is highly recommended.”
THE AQUARIAN WEEKLY (USA)