Unplugged | Yes |
Cover band | No |
Members | 2 |
Jan / 2021 | • | INDOOR INSPIRED Online Showcase #4 | Berlin, DE | |||
Jan / 2021 | • | INES#talent 2021 | Berlin, DE |
Label / Release | Type | Year | |
---|---|---|---|
Deadly Records | |||
|
Oedipus E.P. | Single | 2016 |
|
Oedipus | EP | 2016 |
|
Ego Shrieks E.P. | Single | 2015 |
|
We're Not Dead Yet!, Vol. 1 | Single | 2015 |
Keep It Dirty Recordings | |||
|
Lies | Single | 2020 |
|
Ninja Man | Single | 2020 |
|
Lies (Birkenhof Remix) | Single | 2020 |
Filthy Sounds | |||
|
Agendas EP | Single | 2014 |
|
Agendas | Single | 2014 |
Bad Habit Muzik | |||
|
Dirty Deeds E.P | Single | 2017 |
|
Dirty Deeds | EP | 2017 |
Keep It Dirty Records | |||
|
Lies | Single | 2020 |
|
Boxing With God | EP | 2018 |
Dirty Freud | |||
|
The Crows Are All Liars | Single | 2014 |
Ancension Records | |||
|
Hands of Mercy | Single | 2016 |
Red Alfa Records | |||
|
The Talking Cure | Single | 2016 |
Keep It Dirty records | |||
|
Boxing With God | Single | 2018 |
Modern Sky Entertainment | |||
|
Intentions | Single | 2020 |
Dirty Freud under exclusive license to Modern Sky UK | |||
|
Blood Bayou | Single | 2020 |
Dirty Freud under exclusive license to Modern Sky Entertainment | |||
|
Moments | Single | 2020 |
D-Rom Ltd. | |||
|
Future Shock Electro (Mixed by Dirty Freud) | Album | 2014 |
Red Alfa | |||
|
Talking Cure | EP | 2016 |
Deadly records | |||
|
Ego Shrieks | EP | 2015 |
His music contains elements of dubstep, 2-step garage, bassline, reggae and has been coined Electrodub.
Last year was a massive year for Dirty Freud as his sound was given an even bigger stage to flourish at Glastonbury, All Points East, Citadel, Boomtown, Beatherder as well as internationally in countries like Germany, Croatia and France.
He has got key support in his journey from Jon More of Coldcut and Ninja Tune as well as Keep it Dirty Records and Rough Trades’ Nigel House.
"Dark and dirty from the depths of electro-dub comes Dirty Freud. With an infectious sound that'll get you moving." The Guardian
"Able to switch from leftfield material to more dancefloor stuff with ease." DJ Magazine