Unplugged | – |
Cover band | – |
Members | – |
Nov / 2016 | • | Jazzdor Strasbourg | Strasbourg, France | |||
Oct / 2016 | • | Jazz à Porquerolles | Toulon, France | |||
Oct / 2016 | • | Jazzèbre Festival | Perpignan, France | |||
Jul / 2016 | • | Festival Vague de Jazz | Longeville sur Mer, France | |||
Jul / 2016 | • | Festival Jazz à Luz | Luz Saint Sauveur, France | |||
Jul / 2016 | • | Festival Têtes de Jazz | Avignon, France | |||
Jun / 2016 | • | Una Striscia di Terra Feconda | Rome, Italy | |||
Jun / 2016 | • | Jazzdor Berlin | Berlin, Germany | |||
Jun / 2016 | • | Vanves | Vanves, France | |||
May / 2016 | • | Europa Jazz Festival | Le Mans, France | |||
Mar / 2016 | • | Club Jazzogène | Périgueux, France | |||
Feb / 2016 | • | Le Petit Faucheux | Le Petit Faucheux, Tours, FR | |||
Jan / 2016 | • | Jazz Club de Dunkerque | Dunkerque, France | |||
Dec / 2015 | • | Jazz Fabric au Carreau du Temple | Paris, France | |||
Dec / 2015 | • | La Dynamo de Banlieues Bleues | Pantin, France | |||
Oct / 2015 | • | L'Atelier du Plateau | Paris, France | |||
Oct / 2015 | • | Le Là Itou la Coudée | Mt St Jean, France | |||
Oct / 2015 | • | L'Impro | Toulouse, France | |||
Oct / 2015 | • | Reims Jazz Festival | Reims, France | |||
Aug / 2015 | • | Festival Jazz Campus en Clunisois | Cluny, France | |||
Jul / 2015 | • | Festival Jazz au Lavoir | Les Vans, France | |||
Jul / 2015 | • | Moissons Sonores | Simorre, France | |||
Jun / 2015 | • | Festival jazz et musiques improvisées en Franche-Comté | Besançon, France | |||
Apr / 2015 | • | Jazz at Caillou | Bordeaux, France | |||
Apr / 2015 | • | Soirée Capsul Collectif | Tours, France | |||
Jan / 2015 | • | La Dynamo de Banlieues Bleues | Pantin, France |
Label / Release | Type | Year | |
---|---|---|---|
Umlaut records | |||
Un Poco Loco | Album | 2014 |
This new trio digs up lesser-known or unexpected themes and chisel its way — both whimsically and respectfully — through form, timbre and counterpoint, blurring the frontiers between written and improvised music.
The three long-time friends, who are all active members of the Parisian stage always try to keep in mind the acoustic elegance of the West Coast sound as well as the rhythm and melodic power of 1930s jazz, thus adding their own particular grammar as contemporary musicians to the existing musical language.
Their three voices blend, collide, and cross paths — building a new, spontaneous and lively composition.