Unplugged | Yes |
Cover band | No |
Members | 1 |
Jul / 2019 | • | Colours of Ostrava | Ostrava | |||
May / 2018 | • | Music Infinity | Palace Akropolis/Prague | |||
Apr / 2018 | • | Slovakia | SHARPE festival | |||
Oct / 2017 | • | Belgium | BAM festival | |||
Jul / 2017 | • | Slovakia | Pohoda festival | |||
Jan / 2016 | • | Czech republic | Spectaculare | |||
Oct / 2014 | • | Czeche republic | Lunchmeat festival | |||
Jul / 2013 | • | Poland | Open'er | |||
Sep / 2012 | • | Austria | Waves Vienna | |||
Apr / 2011 | • | Czech republic | Sperm festival |
Label / Release | Type | Year | |
---|---|---|---|
Exitab | |||
Solar Preludes | Album | 2016 | |
Impermanence | Album | 2013 | |
Triple Farewell | EP | 2012 | |
Smithereens | EP | 2011 | |
Alien Choir | Single | 2011 |
(Unsigned) | |||
Astatine | Single | 2016 | |
Chosen Months | Single | 2015 | |
Days over / Nights on | Single | 2012 | |
Ruine Noire | EP | 2010 |
Deadred Records/Starcastic Records | |||
Vice Laboratory | Album | 2018 |
Krakow | Single | 2013 |
Not only thanks to vibraphone, typical of him, but also because of countless projects and cooperations where he leaves his imprint. Dreaminess, contemplation, strife for weightlessness, conceptualism, all that can be found inside. Modality, rhythmic structures, minimalism, distortion, synth-scapes and proto-melodics on the outside. His live-sets attempt to be sight, time, and audience-specific, resulting into a blend of early electronics, acoustic compositions, dystopian improvisations, solar preludes, or his latest tracks. Those can be found on Vice Laboratory vinyl/digital released by Deadred / Starcastic..