A multifaceted artist working in a contemporary classical (including cooperation with composers such as Krzysztof Wołek, Cezary Duchnowski, Paweł Hendrich, Rafał Augustyn and taking active part in festivals such as Warsaw Autumn, Musica Polonica Nova, Musica Electronica Nova, ISCM World Music Days), theatre (composed and performed soundtracks for kejos the-a-ter and Teatr Capitol) alternative (including huge audiovisual project Vox Machinatione in cooperation with Ainara LeGardon and Kostas Georgakopulos during Avant Art Festival 2015), free improvisation (leading Wroclaw Improvising Orchestra) and club electronics field.
In his work he uses various sound sources, including instruments (flute, guitar, mandolin, charango, dan moi, etc.), found objects, field recordings and synthesizers (some of them written by himself). More often than not his concerts include live visuals and spatial sound. In addition to composing and performing his also active researcher in field of computer music, having papers at such conferences as International Compute Music Conference and Sound and Music Computing Conference.
Arguably the musician who is worst at self promotion.